#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

DDAMM (DRUNK DRIVERS AGAINST MAD MOTHERS) (Bassline)
As recorded by Slayer
(From the 1996 Album UNDISPUTED ATTITUDE)

Transcribed by Anti-Idiot
	

Words and Music by Jeff Hanneman

Gtr I (Eb Ab Db Gb) - 'Tom Araya'

 Intro
  Q=155
 4/4
  Gtr I
  H    E E  E E   Q  E E E E E E   E E E E E E E E
|---------------|----------------|-----------------|
|---------------|----------------|-----------------|
|---------------|------------6-6-|-5-5-5-5-4-4-4-4-|
|--------3s12s0-|-3--3-3-4-4-----|-----------------|


  E E E E E E E E   E E E E E E E E
|-----------------|-----------------|
|-----------------|-----------------|
|-------------6-6-|-5-5-5-5-4-4-4-4-|
|-3-3-3-3-4-4-----|-----------------|


   Verse 1
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||------------------|-----------------|-----------------|------------------||
||o-----------------|-----------------|-----------------|-----------------o||
||o-------------6-6-|-5-5-5-5-4-4-4-4-|-------------6-6-|-5-5-5-5-4-4-4-4-o||
||--3-3-3-3-4-4-----|-----------------|-3-3-3-3-4-4-----|------------------||


   Chorus
    Q=250
    S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
||----------------------------------|----------------------------------||
||o---------------------------------|---------------------------------o||
||o---------4-4-4-4-3-3-3-3---------|---------4-4-4-4-3-3-3-3---------o||
||--3-3-3-3-----------------4-4-4-4-|-3-3-3-3-----------------4-4-4-4--||


                                  Solo
  Q=155
  Q  Q  Q  Q    E E +E  E H        E E E E E E E E   E E E E E E E E   8x
|-------------|----------------||------------------|-------------------||
|-------------|----------------||o-----------------|------------------o||
|-------------|----------------||o-------------6-6-|-5-5-5-5-4-4-4-4--o||
|-4-----4-----|-4-4-(4)--------||--3-3-3-3-4-4-----|-------------------||


   Verse 2
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||------------------|-----------------|-----------------|------------------||
||o-----------------|-----------------|-----------------|-----------------o||
||o-------------6-6-|-5-5-5-5-4-4-4-4-|-------------6-6-|-5-5-5-5-4-4-4-4-o||
||--3-3-3-3-4-4-----|-----------------|-3-3-3-3-4-4-----|------------------||


   Chorus
    Q=250
    S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
||----------------------------------|----------------------------------||
||o---------------------------------|---------------------------------o||
||o---------4-4-4-4-3-3-3-3---------|---------4-4-4-4-3-3-3-3---------o||
||--3-3-3-3-----------------4-4-4-4-|-3-3-3-3-----------------4-4-4-4--||


 Outro
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
|---------0-0-0-0-----------------|---------0-0-0-0------------------|
|-2-2-2-2---------4-4-4-4-3-3-3-3-|-2-2-2-2---------4-4-4-4-3-3-3-3--|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|


  S S S S S S S S S S S S S S S S   E E Q  H
|---------0-0-0-0-----------------|-------------*|
|-2-2-2-2---------4-4-4-4-3-3-3-3-|-------------*|
|---------------------------------|-4-----------*|
|---------------------------------|-------------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths