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Комментарии
fantik.help48,
2020-08-02 11:19:36
Жалко что песню поганят

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:07:07
Я могу подсказать что куплеты лучше играть перебором. А припев боем.Но вот кто изменил песню ( морду бы набить) эта песня не дворовая, и называется она Ленинград. Кто сидел, ее все знают. Смысл песни читайте.Город свой убери мудак. Я ребятам скину, как над песней издеваешся.

steppet,
2015-12-05 07:07:38
В оригинале, вместо А играется Am. А вместо D - D7.

visconti.sergio,
2015-08-17 15:28:17
В конце меняется на D

visconti.sergio,
2015-08-17 15:27:46
Такое чувство, что аккорды писали от балды!Последний аккорд в куплете не D, а A

visconti.sergio,
2015-08-17 13:46:53
В припеве вместо E в конце надо Hm.


M - Megadeth

Всё - Аккорды - GTP - Обзор - Альбомы - Новости - Фото
Lucretia Bass

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

LUCRETIA (Bassline)
As recorded by Megadeth
(From the 1990 Album RUST IN PIECE)

Transcribed by cbliss66@aol.com
	

Words by Dave Mustaine Music by Dave Mustaine & Dave Ellefson
Arranged by Dave Mustaine & Dave Ellefson

Gtr I (E A D G) - 'Ellefson'

 Intro
  Moderately Slow Rock Q=96
 4/4
  Gtr I
  q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E q  E e
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|-------------7-|
|-2----0-2----0-|-2----0-2----0-|-2----0-2----0-|-2----0-2------|


  W          +H     +S  S S S S S S S
|----------|--------------------------|
|----------|------------------------0-|
|-9--------|-(9)----(9)-------0-1-2---|
|----------|------------0-1-2---------|


  E. S +E  E +S  E. E E   E. S +E  E +S  S S S S S S S
|-2--1-(1)--------------|----------------------4-3-2---|
|----------2-(2)------2-|-1--------0-(0)-2-3-4-------4-|
|----------------4--0---|------------------------------|
|-----------------------|----2-(2)---------------------|


  S S S S S S S S S S S S S S a S  S    S S S S S S E +S  S S S S S S S
|-2-----1-----------------------------|----------------------------------||
|-------------2---------------0s2-----|-1-----4-----0-(0)-------------0--||
|-------------------4-----------------|-------------------------0-1-2----||
|---2-2---2-2---2-2---2-4s5-2-----(2)-|---2-2---2-2-------0-1-2----------||


  S S S S S S S S S S S S S S a S  S    S S S S S S E +S  S S S S S S S
|-2-----1-----------------------------|-------------------------4-3-2----||
|-------------2---------------0s2-----|-1-----4-----0-(0)-2-3-4-------4--||
|-------------------4-----------------|----------------------------------||
|---2-2---2-2---2-2---2-4s5-2-----(2)-|---2-2---2-2----------------------||


   1st,2nd Verses
                                   15/16
    S S S S S S S S S S S S S S E   S S S S S S S S S E. S E
||--------------------------------|---------------------------|
||o-----------------4-3-2---------|---------------------------|
||o-----------------------4-----0-|-------------------2-------|
||--2-2-2-2-2-2-2-2---------0-2---|-2-2-2-2-2-2-2-2-2----3-3--|


 4/4
  S S S S S S S S S S S S S S S S
|---------------------------------|
|-----------------4-3-2---7-6-5-4-|
|-----------------------4---------|
|-2-2-2-2-2-2-2-2-----------------|


  S S S S S S S S S S S S S S E   S S S S S S S S S S S S S S E
|-------------------------------|-------------------------------|
|-------------------------------|-----------------4-3-2---------|
|-------------2-0-2-3-2-0-2-0---|-----------------------4-----0-|
|-2-2-2-2-2-2-----------------3-|-2-2-2-2-2-2-2-2---------0-2---|


 15/16                      4/4
  S S S S S S S S S E. S E   S S S S S S S S S S S S S S S S
|--------------------------|---------------------------------|
|--------------------------|-----------------4-3-2---7-6-5-4-|
|-------------------2------|-----------------------4---------|
|-2-2-2-2-2-2-2-2-2----3-3-|-2-2-2-2-2-2-2-2-----------------|


  S S S S S S S S S S S S S S E
|--------------------------------|
|--------------------------------|
|-------------2-0-2-3-2-0-2-0----|
|-2-2-2-2-2-2-----------------3--|


                                 15/16
  S S S S S S S S S S S S S S E   S S S S S S S S S E. S E
|-------------------------------|--------------------------|
|-----------------4-3-2---------|--------------------------|
|-----------------------4-----0-|-------------------2------|
|-2-2-2-2-2-2-2-2---------0-2---|-2-2-2-2-2-2-2-2-2----3-3-|


 4/4
  S S S S S S S S S S S S S S S S
|----------------------------------|
|-----------------4-3-2---7-6-5-4--|
|-----------------------4----------|
|-2-2-2-2-2-2-2-2------------------|


  S S S S S S S S S S S S S S E
|-------------------------------||
|-------------------------------||
|-------------2-0-2-3-2-0-2-0---||
|-2-2-2-2-2-2-----------------3-||


  S S S S E S S S S E e E   S S S S E S S S S E e E
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|-0h2-2-2---0h2-2-2---0-3-|-0h2-2-2---0h2-2-2---0-3---|


                           1.
  S S S S E S S S S E e E   S S S S S S E H      q  E E q  E E
|-------------------------|--------------------|----------------|
|-------------------------|--------------------|----------------|
|-------------------------|-----------0--------|----------------|
|-0h2-2-2---0h2-2-2---0-3-|-0h2-2-2-----2------|-2----0-2----0--|


  q  E E q  E e   W          +H     +S  S S S S S S S
|---------------|----------|---------------------------|
|---------------|----------|------------------------0--|
|-------------7-|-9--------|-(9)----(9)-------0-1-2----|
|-2----0-2------|----------|------------0-1-2----------|


  S S S S S S S S S S S S S S S S
|-2-----1-------------------------|
|-------------2---------------2---|
|-------------------4-----0-------|
|---2-2---2-2---2-2---2-2---2---2-|


                                     2.
  S S S S S S E +S  S S S S S S S     S S S S S S E Q  E E
|-------------------------4-3-2----||-------------------------||
|-1-----4-----0-(0)-2-3-4-------4-o||-------------------------||
|---------------------------------o||-----------0--------9\---||
|---2-2---2-2----------------------||-0h2-2-2-----2-----------||


                           |-3-|
  E. S +E  S S S S S S S S S S S
|--------------------------------|
|--------------------------------|
|----------2-3-4---3---2---0h2p0-|
|-2--2-(2)-------5---4---3-------|


  S E S E S S S S S S S S S S   E. S +E  S S S S S S E S S
|-----------------------------|-----------------------------|
|-----------------------------|-----------------------------|
|---------4-5-6---5---4---3---|-----------------------------|
|-4-4-4-4-------7---6---5---4-|-5--5-(5)-5-5-5-5-5-5-5-7-5--|


                                   Solo1 (Friedman)
  E S S +E  S S S S S S S S S S     S S S S S S S S S S S S S E.
|-------------------------------||-------------------------------|
|-------------------------------||o------------------------------|
|-------------------5---4---3---||o------------------------------|
|-7-7-7-(7)-7-7---7---6---6---5-||--2-2---2-2---2-2---2---2---1--|


  S S S S S S S S S S S S S E.   S S S S S S S S S S S S S E.
|------------------------------|------------------------------|
|------------------------------|------------------------------|
|-------------------------7-6--|-5-5---5-5---5-5---5---5-5-0--|
|-0-0---0-0---0-0---0---0------|------------------------------|


  S S S S S S S S S S S S S E.         S S S S S S S S S S S S S E.
|-------------------------------||-||----------------------------------|
|------------------------------o||-||o-----4-----2-----4-----2---------|
|-2-2---2-2-0---2s4-4-4-4-4----o||-||o---4-----4-----4-----4-----------|
|---------------------------3---||-||--2-----2-----2-----2-----2-1-----|


  S S S S S S S S S S S S S E.   S S S S S S S S S S S S S E.
|------------------------------|-----7-----5-----7-----5------|
|-----2-----0-----2-----0------|---7-----7-----7-----7--------|
|---2-----2-----2-----2---7-6--|-5-----5-----5-----5-----5-0--|
|-0-----0-----0-----0----------|------------------------------|


  S S S S S S S S S S S S S E.
|-----4-----2---------6-----------||
|---4-----4---------6------------o||
|-2-----2-----2-3-4-----4-4------o||
|---------------------------3-----||


   Gtr.SoloII(Mustaine)
    S S S S S S S S S S S S S S E   S S S S S S S S S S S S S S S S
||--------------------------------|----------------------------------|
||o-----------------4-3-2---------|-----------------4-3-2---7-6-5-4--|
||o-----------------------4-----0-|-----------------------4----------|
||--2-2-2-2-2-2-2-2---------0-2---|-2-2-2-2-2-2-2-2------------------|


                                 15/16
  S S S S S S S S S S S S S S E   S S S S S S S S S E. S E
|-------------------------------|--------------------------|
|-----------------4-3-2---------|--------------------------|
|-----------------------4-----0-|-------------------2------|
|-2-2-2-2-2-2-2-2---------0-2---|-2-2-2-2-2-2-2-2-2----3-3-|


 4/4
  S S S S S S S S S S S S S S E
|-------------------------------|
|-----------------4-3-2---------|
|-----------------------4-----0-|
|-2-2-2-2-2-2-2-2---------0-2---|


  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S E
|---------------------------------|-------------------------------|
|-----------------4-3-2---7-6-5-4-|-----------------4-3-2---------|
|-----------------------4---------|-----------------------4-------|
|-2-2-2-2-2-2-2-2-----------------|-2-2-2-2-2-2-2-2---------0-2-0-|


  S S S S S S S S S S S S S S E
|--------------------------------||
|-------------------------------o||
|-------------2-0-2-3-2-0-2-0---o||
|-2-2-2-2-2-2-----------------3--||


  S S S S E S S S S E e E   S S S S E S S S S E e E
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|-0h2-2-2---0h2-2-2---0-3-|-0h2-2-2---0h2-2-2---0-3---|


  S S S S E S S S S E e E   S S S S S S E Q  E  E
|-------------------------|------------------------||
|-------------------------|------------------------||
|-------------------------|-----------0------------||
|-0h2-2-2---0h2-2-2---0-3-|-0h2-2-2-----2------12\-||


  S S S S E S S S  S E e  E
|----------------------------|
|----------------------------|
|-7-9-------7-9--------7-10--|
|-----7-8-------9-10---------|


  S S S S E S S S  S E e  E   S S S S E S S S  S E e  E
|---------------------------|---------------------------|
|---------------------------|---------------------------|
|-7-9-------7-9--------7-10-|-7-9-------7-9--------7-10-|
|-----7-8-------9-10--------|-----7-8-------9-10--------|


  S S S S S S S S +E.  S E E
|----------------------------*|
|----------------------------*|
|-7-9---9-7---7-9-(9)\-------*|
|-----9-----9----------3-2---*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

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