THE MOST BEAUTIFUL GIRL IN ROOM
===============================


  F#m/D (xx0675)
  A/C#m (x0665x)
   Bm/A (x0443x)
Dmaj7/A (x0767x)
      A (x0765x)
   Dm/A (x0776x)
     Bm (xx9777)
    Bm7 (xx7777)


                                (F#m/D)
intro: 	e|-9/10--7/9-------------5--|
	b|------------9/10--5/7--7--|
	g|-----------------------6--|
	d|-----------------------0--|


	|(F#m/D)   | C#m/A    | Bm/A     |
                

	   YEAH!                (F#m/D)
 	e|-9/10--7/9-------------5--|
	b|------------9/10--5/7--7--|
	g|-----------------------6--|
	d|-----------------------0--|



	(F#m/D)               C#m/A                Bm/A
V1:	   looking 'round the room i can tell that you
	             Dmaj7/A   A          (F#m/D)
	are the most beautiful girl in the... room

	|(F#m/D)   | A/C#m    | A/Bm     | Dmaj7/A A|


	F#m/D                    C#m/A                    Bm/A
	  and when you're on the street, depending on the street
	              Dmaj7/A (stop)            (intro riff or Dmaj7/A  A)
	i bet you are definitely in the top three
	F#m/D                       C#m/A 
	  good looking girls on the street 
	Bm/A              Dmaj7/A   A
	(depending on the street)
	F#m/D                      C#m/A     
          and when i saw you at my mates place i thought
	Bm/A    Dmaj7/A  A (stop)
	what is she      doing
	         F#m/D        C#m/A       
	...at my mates place, how did dave get
	  Bm/A                 Dmaj7/A    A  
	a hotty like that to a party like this
	         F#m/D  C#m/A          Bm/A        (intro riff or Dmaj7/A  A)
	good one dave!   (ooo you're a legend dave)
	F#m/D                C#m/A                      Bm/A 
	  i ask dave if he's going to make a move on you
	                     Dmaj7/A     A       F#m/D
	he's not sure i say "dave do you mind if i do?"
	   C#m/A                          Bm/A 
	he says he doesn't mind but i can tell he kinda minds
	       (intro riff or Dmaj7/A  A)
	but i'm gonna do it anyway
	F#m/D                     C#m/A             Bm/A
	  i see you standing all alone by the stereo
	                       Dmaj7/A   A
	i turn the lights down very low, here we go
	

	F#m/D       C#m/A    Bm/A            Dmaj7/A  A 
C1:	  you're so beautiful you could be a waitress__
	F#m/D       C#m/A    Bm/A            (intro riff)        F#m/D
	  you're so beautiful you could be an air hostess in the 60's
	          C#m/A    Bm/A            Dmaj7/A  A    F#m/D   C#m/A
	you're so beautiful you could be a part  -  time model
	           Bm/A                  (intro riff or Dmaj7/A  A)
	and then i seal the deal, i do my moves, i do my dance moves

	
Link:	| A        | A        | Dm/A     | Dm/A     |


Bridge:	A                                 
	 it's tweleve-0-two, just me and you 
	Dm/A                                      A
	 and seven other dudes around us on the dancefloor
	                               
	i draw you near, let's get out of here
	Dm/A                                (F#m/D)
	 let's get in a cab, i'll by you a kebab!



	(F#m/D)      C#m/A          Bm/A
V2:	   i can't believe that i'm sharing a kebab
	              Dmaj7/A   A           F#m/D          C#m/A  Bm/A  (intro riff or Dmaj7/A  A)
	with the most beautiful girl i have ever seen with a kebab    (ooo)
	F#m/D          C#m/A
	  why don't we leave? 
	     Bm/A                      Dmaj7/A         A         F#m/D
	lets go to my house and we can feel each other up on the couch
	        C#m/A                Bm/A          (intro riff or Dmaj7/A  A)
	oh no i don't mind taking it slo-o-ow, no-o-oo, yeah


	F#m/D              C#m/A           Bm/A  Dmaj7/A  A  
C2:	  'cause you're so beautiful like a tree
	     F#m/D                       C#m/A    Bm/A         
	or a high class prostitute 
                              (you're so beautiful)
	               Dmaj7/A  A    Bm
	you could be a part  -  time model
	          Bm7
	but you'd probably still have to keep your normal job
	           Bm
	(part time model)
	         Bm7 (stop)
	spending part of your time modelling and part of your time
	        F#m/D  C#m/A  Bm/A  (intro riff)
	next to me
	F#m/D  C#m/A  Bm/A  (intro riff or Dmaj7/A  A)   (F#m/D)
	                  my place is usually tidier than this


	|(F#m/D)   | C#m/A    | Bm/A     | A        |


-rigs-