#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

BEAUTIFUL WORLD (Bassline)
As recorded by Coldplay


Transcribed by unregistered 	



Gtr I (E A D G) - 'Bass'

  Q=125
 4/4
  Gtr I
  Wx4          Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|------------|---------------|---------------|---------------|-----------------|
|------------|---------------|---------------|---------------|-----------------|
|------------|-0----0--0-0---|-3----3--3-3---|---------------|-----------------|
|------------|---------------|---------------|-1----1--1-1---|-1----1--1-3-----|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E Q    Q.   Q  E Q    Q.   Q  E E E   Q.   Q  E E E
|--------------|--------------|---------------|---------------|
|-0----0--0----|--------------|---------------|---------------|
|-----------0--|-3----3--3----|---------------|---------------|
|--------------|-----------3--|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E Q    Q.   Q  E Q    Q.   Q  E E E   Q.   Q  E E E
|--------------|--------------|---------------|---------------|
|-0----0--0----|--------------|---------------|---------------|
|-----------0--|-3----3--3----|---------------|---------------|
|--------------|-----------3--|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E Q    Q.   Q  E Q    Q.   Q  E E E   Q.   Q  E E E
|--------------|--------------|---------------|---------------|
|-0----0--0----|--------------|---------------|---------------|
|-----------0--|-3----3--3----|---------------|---------------|
|--------------|-----------3--|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E Q    Q.   Q  E Q    Q.   Q  E E E   Q.   Q  E E E
|--------------|--------------|---------------|---------------|
|-0----0--0----|--------------|---------------|---------------|
|-----------0--|-3----3--3----|---------------|---------------|
|--------------|-----------3--|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------|
|---------------|---------------|-1----1--1-1---|-1----1--1-3---|


  Q.   Q  E E E   Q.   Q  E E E   Q.   Q  E E E   Q.   H    +E
|---------------|---------------|---------------|---------------*|
|---------------|---------------|---------------|---------------*|
|-0----0--0-0---|-3----3--3-3---|---------------|---------------*|
|---------------|---------------|-1----1--1-1---|-1----1----(1)-*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths