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А Б В Г Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ы Э Ю Я
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #


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fantik.help48,
2020-08-02 11:19:36
Жалко что песню поганят

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:07:07
Я могу подсказать что куплеты лучше играть перебором. А припев боем.Но вот кто изменил песню ( морду бы набить) эта песня не дворовая, и называется она Ленинград. Кто сидел, ее все знают. Смысл песни читайте.Город свой убери мудак. Я ребятам скину, как над песней издеваешся.

steppet,
2015-12-05 07:07:38
В оригинале, вместо А играется Am. А вместо D - D7.

visconti.sergio,
2015-08-17 15:28:17
В конце меняется на D

visconti.sergio,
2015-08-17 15:27:46
Такое чувство, что аккорды писали от балды!Последний аккорд в куплете не D, а A

visconti.sergio,
2015-08-17 13:46:53
В припеве вместо E в конце надо Hm.


A - Avenged Sevenfold

To End The Rapture (ver 4)

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

                               TO END THE RAPTURE
                        As recorded by Avenged Sevenfold
               (From the 2003 Album SOUNDING THE SEVENTH TRUMPET)

Words and Music by A7x

Gtr I (D A D G B E) - 'Synyster Gates'

  Q=120
 4/4
  Gtr I
  ~                            ~
       |-3-|          |-3--|
  H    Q Q Q   Q.   E Q Q  Q   H    +E  E +S  E.    H     +E. E  E.
|------------|---------------|-------------------|--------------------|
|-3----3-3-5-|-6------6-8S10-|-8----(8)-6-(6)-5--|-[6]----(6)---------|
|------------|------5--------|-------------------|------------7-------|
|------------|---------------|-------------------|--------------10----|
|------------|---------------|-------------------|--------------------|
|------------|---------------|-------------------|--------------------|


  ~
       |--3--|                                |-----6-----|
  H    Q  Q  Q    H    Q   E E   +Q    Q   Q  S S  S S S  S
|--------------|-------------8-|-(8)--10--12----------------|
|--------------|---------------|----------------------------|
|-7----7--7--9-|-10----9--10---|----------------------------|
|--------------|---------------|---------------------7-9-10-|
|--------------|---------------|--------------7-9-10--------|
|--------------|---------------|----------------------------|


  |------------------------------6-------------------------------|
  S S  S S S S  S S S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|------------------------------------------------------------------|
|------------------------------10-11-13----------10-11-13-10-11-13-|
|----------7-9-10-9-7-10-12-13----------10-12-13-------------------|
|-7-9-10-9---------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|


   ~~
         |---3---|
   H     Q   Q   Q
|-10----10--10--12--|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
|-------------------|


                                   ~~
               |------3-------|           |---------------6----------------|
   Q   +E   E  E  E  E  E  E  E    H      S  S  S  S  S  S  S  S  S  S  S  S
|-13--(13)----13----15----17----|-15----/20-19-17----------18-17-15----------|
|----------13----13----13----13-|-----------------20-18-17----------18-17-15-|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|


   |---------------------------------6----------------------------------|
   S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|----------------------------------------------------------------------15-|
|-------18-17-15----------------------------15-17-18----------15-17-18----|
|-18-17----------18-17-15----------15-17-18----------15-17-18-------------|
|-------------------------15-17-18----------------------------------------|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|

Hard tapping section
   ~~~      T
            |---------------6----------------|
   Q.    E  S  S  S  S  S  S  S  S  S  S  S  S
|-17----12-17p12h13-12p10h12-15----------------|
|-------------------------------15h17p15-13-18-|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|


   T                 T                 T                T
   |---------------------------------6---------------------------------|
   S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S S  S  S  S  S  S  S  S
|------------------------------------------------------------------------|
|-18p13h15p13-12-13-17-17p13p12p10h12-15-15p12p10p8h10-17-17p13p12p10h12-|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|


   T              T                T
   |-----------------------------6------------------------------|
   S  S  S S S S  S  S  S  S S  S  S  S  S  S  S  S  S S  S S S S
|-13-13p10p8-7h8-15-15p12p10-8h10-17-17p13p12p10-12h13-8-10-8-7-8--|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|


   T                T
   |---------------------------------6---------------------------------|
   S  S  S  S S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|-15-10h12p10-8h10-17-12h13p12-10h12-10h13h15-17-17h18p17-15p13h15-17h18-|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|


   ~~~                      ~~
        |------3-------|
   H.   S  S  S  S  S  S    W
|-22---17p15p13----------|-22----|
|---------------15h17h18-|-------|
|------------------------|-------|
|------------------------|-------|
|------------------------|-------|
|------------------------|-------|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************

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