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fantik.help48,
2020-08-02 11:19:36
Жалко что песню поганят

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:18:32
Можно послушать у меня в фб Наталья Валерьевна

fantik.help48,
2020-08-02 11:07:07
Я могу подсказать что куплеты лучше играть перебором. А припев боем.Но вот кто изменил песню ( морду бы набить) эта песня не дворовая, и называется она Ленинград. Кто сидел, ее все знают. Смысл песни читайте.Город свой убери мудак. Я ребятам скину, как над песней издеваешся.

steppet,
2015-12-05 07:07:38
В оригинале, вместо А играется Am. А вместо D - D7.

visconti.sergio,
2015-08-17 15:28:17
В конце меняется на D

visconti.sergio,
2015-08-17 15:27:46
Такое чувство, что аккорды писали от балды!Последний аккорд в куплете не D, а A

visconti.sergio,
2015-08-17 13:46:53
В припеве вместо E в конце надо Hm.


D - Dethklok

Murmaider (ver 4)

-------------------------------------------------------------------------------
			     Murmaider - Dethklok
-------------------------------------------------------------------------------

Tabbed by: Old Rasputin
Email:     einsteinonthebeach@comcast.net

Tuning: C standard, of course (C,F,Bb,Eb,G,C)

Disclaimer - I refer to all note names as though I am in E standard
because I refuse to re-learn my fretboard in C...


Intro:

Rhythm Guitar:        Lead part: (might not be octaves...)
c.|------------------|---------------|-------------|------------|------------|
G.|------------------|---------------|-------------|------------|------------|
Eb|------------------|-9---11-13-/16-|15---------15|14----------|12------8-10|
Bb|------------------|---------------|-------------|------------|------------|
F.|------------------|-7---9--11-/14-|13---------13|12----------|10------6-9-|
C.|-000-000-000-000--|---------------|-------------|------------|------------|

Verse Riff:

I've tried a multitude of different voicings for these chords/diads - and
different ways of splitting them up.  This one works well for my ear and I
appreciate it for it's simplicity -- but, I doubt very highly that it is
exactly right.  Any info/suggestions would be much appreciated...


    Gtr 1 (upper harmony)               Gtr 2 (lower harmony)
c.|---------------------------------|--------------------------------|
G.|---------------------------------|--------------------------------|
Eb|-8/9-------------8/9---------11\-|-4/5-------------4/5---------7\-|
Bb|---------------------------------|--------------------------------|
F.|-6/7-------------6/7---------9\--|-2/3-------------2/3---------5\-|
C.|-----000-000-000-----000-000-----|-----000-000-000-----000-000----|

Chorus:
                    ph    ph      ph    ph
c.|-------------|-----------------------------|
G.|-------------|-----------------------------|
Eb|-------------|-----------------------------|
Bb|-------------|-----------------------------|
F.|-------------|-----------------------------|
C.|-0-2-3-0-2-3-|-0-3b(5)-3b(5)-0-3b(5)-3b(5)-|


Bridge Thing:

Just a variant of the verse and likewise, any suggestions/help with voicing
these chords would be appreciated.


     Gtr 1 (upper harmony)
c.|-------------------------------------|--------------------------------|
G.|-------------------------------------|--------------------------------|
Eb|-11/12------------11/12----16\14-----|12/14---------------------------|
Bb|-------------------------------------|--------------------------------|
F.|-9/10-------------9/10-----14\12-----|10/12---------------------------|
C.|------000-000-000------000-------000-|------10-10-10--10-10-10--etc.--|

     Gtr 2 (lower harmony)
c.|----------------------------------|-----------------------------------|
G.|----------------------------------|-----------------------------------|
Eb|-8/9-------------8/9-----12/11----|-9/11------------------------------|
Bb|----------------------------------|-----------------------------------|
F.|-6/7-------------6/7-----10/9-----|-7/9-------------------------------|
C.|-----000-000-000-----000------000-|-----10-10-10--10-10-10---etc.-----|


Solo:

   Em7           Bm             D             F#m
c.|---------7-10/14p10------------------14-17/21p17----------|
G.|-------8-----------12--------------15-----------19--------|
Eb|-----7---------------11----------14---------------18------|
Bb|---9-------------------12------16-------------------19----|
F.|-7-----------------------14--17-----------------------21--|
C.|----------------------------------------------------------|


This is what the second phrase actually sounds like to me...

    Em                      Asus                          G
c.|-15h19p15------19p15-----12h17p12------12h17p12--12/17-10\7--------------|
G.|---------17--17-----17-----------15--15---------------------8---8b(10)VV-|
Eb|-----------16----------------------14-------------------------7----------|
Bb|-------------------------------------------------------------------------|
F.|-------------------------------------------------------------------------|
C.|-------------------------------------------------------------------------|

And this is a more realistic way doing basically the same thing
(for my hands, anyway)

c.|-15h19p15------19p15\12---12h17p12------12h17p12--12h17p12\7-------------|
G.|---------17--17-------------------15--15---------------------8---8b(10)VV|
Eb|-----------16-----------------------14-------------------------7---------|
Bb|-------------------------------------------------------------------------|
F.|-------------------------------------------------------------------------|
C.|-------------------------------------------------------------------------|

Onward...
You can save yourself some reading if you are familiar with your
"3-on-a-string" shapes; these builds should be the Mixolydian, then Aeolian,
then Ionian (twice) shapes in the key of G.  The one exception being|
                                                                    |
c.|----------------------------------------12-14-15------------------------...     v
G.|--------------------------------12-13-14----------|<--not sure if the 14...
Eb|------------------------11-12-14----------------------------------------...right here is a
Bb|----------------10-12-14------------------------------------------------...mistake, but it is
F.|--------10-12-14----------------------------------|   in there.---------...
C.|10-12-14----------------------------------------------------------------...

c.|----------------------------------------14-15-17--|
G.|--------------------------------13-15-17----------|
Eb|------------------------12-14-16------------------|
Bb|----------------12-14-16--------------------------|
F.|--------12-14-15----------------------------------|
C.|12-14-15------------------------------------------|

c.|----------------------------------------17-19-20--|
G.|--------------------------------17-19-20----------|
Eb|------------------------16-17-19------------------|
Bb|----------------16-17-19--------------------------|
F.|--------15-17-19----------------------------------|
C.|15-17-19------------------------------------------|

Then the fourth build is the same as the third.


c.|-18b(19)vvv|7b(8)r(7)-------------------------------------------------|
G.|-----------|----------8-----------------------------------------------|
Eb|-----------|------------9-----8b(9)-----------------------------------|
Bb|-----------|--------------9---------9------------------5--7--7b(9)vv--|
F.|-----------|--------------------------10-9---7-6-7--9-----------------|
C.|-----------|----------------------------------------------------------|


That'll do it.
But, as I mentioned before, I've been driving myself nuts trying to accurately voice out 
chords (for two guitars) on this tune - and much
more so - on "Go Into The Water."  I have workable, solid sounding arrangements for 
but they can certainly be improved upon.  So if
anyone reading this can assist me, for god's sake, shoot me an email.

-Old Rasputin

einsteinonthebeach@comcast.net

| /  slide up
| \  slide down
| h  hammer-on
| p  pull-off
| ~  vibrato
| +  harmonic
| x  Mute note
===============================================================================

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